Dear ends, you will always have left Nervion
When Barcelona views one playing the Spanish selection and the FC, it is loaded with reasons to think that the epoch of the pure ends happened completely fashionably. Nevertheless, in this world of the current soccer that tends to populate the central part of the fundamental one, to the detriment of the sides, there is a team that puts an exceptional counterpoint, acquiring a certain old and romantic touch, for practising a style of game more and more relegated to the past.
Where would play in our days Omar Orestes Corbatta, Best, Garrincha, Paco Gento, Dragan Djazic, Paolo Futre, the Giggs of the best weather or proper Figo del Barcelona and beginning of Madrid? Would they have site in our soccer? Might they play in current Barca or in the Santiago Bernabéu? Possibly, not, of course, not. In fact, we have the case of Arjen Robben, one of the best ends of the world, pure imbalance, which did not take place in the plan of soccer of Pellegrini, because the ends, simply, are already not fashionable. Or at least, in almost no site, because these geniuses, in many cases extravagant, will always have left Ramón Sánchez Pizjuán.
The Seville FC is an ideal place for the ends, undoubtedly, because the nervionense is a set that for many years moves for a definite one 4-4-2 – with two knives for the bands and two wings long covered that they turn continuously. In Nervion yes he believes in this philosophy of opening the game and overflowing for the bands … In Nervion, undoubtedly, the touch is valued but everything happens for the genius of your flanks.
They say those who viewed the soccer of earlier, that the ends are those who truly were raising the public of your seats with your talent and spontaneous overflowing, with the spectacular nature of your game, the expectation of your advance towards the area, while your partners come to the warm area in search of the wished pass … I Peeled age Peeled, but the one that it was astonishing to the world with your peripheral lawlessness was Garrincha. Personally, I love the soccer for the bands, believe in the ends, although it is undeniable that the formula of Money box or of the Spanish selection is demonstrated by them to us that there are other routes, the same way showy and valid, to come to the success.
In the Seville Navas, for the right hand, is a spectacle every Sunday. It is rapid, slippery but fierce, ingenious and shining. For the left there is Perotti, less fast but with a supreme quality, which he saves in your two boots, considering your condition of ambidextrous. Both generate with your soccer an unforeseeable factor in the attacks of the team, open to the field and generate spaces with your movements. The Seville realizes it well and plays that. And in the stool Acosta or Capel wait, and enclosed Adriano plays in this demarcation for both bands. The philosophy, in this sense, is more than defined.
The Seville won to Madrid exploiting the bands, your best feature. The Seville modern has come to the success exploiting your sides, using variants sometimes, but almost always exploiting your flanks. The Seville is one of these last strongholds in which the ends feel comfortable, one tries in our soccer to that the game for the bands is beautiful, more than viable … and more and more affectionate, due to the little that estila.
